Ah, Orphan Black. The show where every character is, at this point, in some way a criminal. I mean that very seriously. I just sat down and tried to name a character on this show who has not at some point broken the law in like a really big way. Here is a quick list of the main characters and their most notable crimes:
Sarah - impersonated an officer of the law, stole a bunch of cocaine, shot her twin sister
Cosima - performed illegal experiments on a dead guy in a bathtub
Alison - drug dealer, manslaughter
Donnie - drug dealer, manslaughter (of someone else)
Helena - so. much. murder.
Rachel - trying to murder dozens of people, actually having other people successfully killed
Paul - murder
Mrs. S - runs a network of really shady people who can make car bombs, kidnapping
Felix - prostitution, theft, covered up murders
Gracie - attempted murder
Mark - torture
Rudy - murder
Scott - assisted in illegal experiments on dead guy in bathtub
Delphine - assisting in kidnapping
And that is literally just the main characters. I'm not sure if this says anything about the show as a whole, but I thought it was worth pointing out since this episode featured all of our wonderfully criminal characters doing yet more things that are actually illegal. Fun times! But thematically, the point was a little bit softer. Going off of last episode's musings on the nature of family, this episode seemed to be a meditation on the places where family falls apart. Family and its failures. Or people outside the reach of family.
So, let's start with the storyline we left off with. At the end of last episode, Sarah was trapped hiding in a barn while Bonnie (Gracie's mother) shot Mark to death in a cornfield for the crime of defiling her daughter. This week we come in with Sarah rushing over to Mark while Bonnie is distracted, finding him alive, and grabbing him so they can run away. Mark is deeply confused about why Sarah would help him, but her logic is sound: she needs Mark in order to find Helena.
Which means that she needs Mark to stay alive and not bleed out. Unfortunately for that plan, Mark has been shot twice and is bleeding out fast. There's only so much you can do with a belt-tourniquet. They find an abandoned farmhouse, break in, and then have an incredibly disgusting interrogation/medical assistance scene. It was gross.
But Sarah finds out what she needs to know. Mark is after the tissue samples they're sure Henrik had, but all he found was that stupid box.
Sarah, unlike Mark, understands that boxes full of papers are occasionally useful, so she goes back to the motel room to get it. She manages to find some important documents which, verified by Cosima, refer to an experiment Henrik did twenty-five years ago. It seems that rather than preserving the tissue samples, Henrik (who was Duncan's research assistant, apparently) stole them and used them to create a child. A boy.
Mark, having managed to track Sarah back to the motel room despite being shot and nearly out of blood, reveals that Henrik and Bonnie did originally have a son. He died. But...if they dig up his grave they might be able to get their all important tissue sample!
Like I said above, this episode had even higher rates of illegal activity than usual. Just a warning.
Because Mark is injured, Sarah has to be the one to dig up the grave, and while she digs she and Mark muse on their relationships. Sarah calls him brother, but he doesn't want to be linked to her.
And as we learned during the interrogation earlier, the Castor clones weren't raised with parents or monitors. They were raised with each other, only each other. Like a pack of wolves, they were raised to hunt. So there's no way that Mark could have run away with Gracie, and there's no way that he can run away now. His pack brothers will find him.
And they do. Rudy, who has been tracking them all episode, comes on Mark and Sarah just as Sarah has dug up the sad little body. He attacks them, threatens to kill Sarah, chases her through a barn just like last episode, etc. The only difference is that here, Mark rallies himself and goes in after Rudy. He stops Rudy from shooting Sarah by reminding Rudy that he's in charge. He's the superior officer and Rudy is his "little brother". It's a whole new side of Mark, and I like it.
So Rudy and Mark take the tissue samples and prepare to return to base. Mark has apparently given up on escaping this time. He knows they'll track him down and he no longer has anything to trade. But the question remains of what to do with Sarah. They aren't supposed to leave any loose ends.
The implication at the end of the episode is that Mark decides to have Sarah taken with them back to base. Which is an interesting choice. It could mean, on the one hand, that Mark is still her enemy and working against her. It could also mean, however, that he's helping her get to Helena. Or it could be both. Hard to say.
That's it for Sarah's storyline, though. Lots of crime and shadiness, no? Well, over in the suburbs of Toronto, the crime and shadiness continue.
Alison figures this means they should find somewhere safer to keep their drug stuff than in the house, but when she goes to take it outside to move it to a storage locker, there's a sketchy man waiting. Apparently Ramon did not have license to sell his business to them, nor did he actually go off to college. Ramon's former boss would like a word with the Hendrixes. No options to get out of it.
And that's super frustrating because Alison is so dang good at selling drugs! How dare this man come in and try to tell her what to do!
Donnie tries to be a tough guy at the meet and bring a gun and protect the family, but the drug guys quickly see that Alison is the one in charge of this operation. She's pulled into a black SUV to talk to the main guy only to discover that it's...actually her high school boyfriend, Jason Kellerman. Seriously. The drug kingpin of the suburbs is some guy she used to date, who she dumped, and who is clearly still into her. Alison, your life is officially the weirdest.
Anyway, Alison keeps her cool and holds her own and ends up walking out of the SUV with a business deal. She's going to own these streets, because Alison freaking Hendrix is a badass whether she's dealing drugs or getting her kids to swimming practice on time. Oh yes.
What's interesting is that Gracie apparently is important enough for her own storyline. It's short, but it's there, and it speaks to what I said last episode about this being a show where family becomes an expanded concept. Gracie might not be a Leda clone, but she is one of their sisters now, bound by blood and experience.
Which is what makes it so painful to see Gracie being folded back into the Prolethean community she fought so hard to escape. Her mother is all smiles in bringing her back in, but it just takes one really horrible feeling up from an old blind man for Gracie to realize that nothing has changed. The Proletheans are just as manipulative and abusive as ever. And things only get worse when she goes to change into a new dress and discovers she's bleeding. She's having a miscarriage.
To say her mother is not pleased would be an epic understatement. Bonnie forces Gracie into a prayer vigil to keep the child, but Gracie can't exactly stop herself from miscarrying. The child is lost and Gracie is thrown out. It seems she was only let back in at all because she was carrying Henrik's child with Helena, their "legacy", and now she has nothing. Nothing and no one.
But, honestly, Gracie? I think you're better off. Your family is genuinely abusive and murderous. It's time for a change of pace. Literally almost anything would be a step up from here.
Finally, Helena continues to be the most resourceful person that Castor has ever underestimated. With the help of her hallucinated scorpion friend, Pupok, Helena manages to use a series of clever ruses to get outside her cell and look around the compound where she's being held. She finds some very interesting things, but the most interesting is some kind of medical room where they're keeping a Castor clone and experimenting on him. Dr. Coady is there. It's very suspicious.
Helena has a bag of tricks that's pretty freaking full, so eventually she manages to gnaw a key to her cell out of a steakbone they gave her, escapes, and makes her way to the medical room. There she finds the Castor clone, Parsons, strapped down and forced to endure horrors. Helena has a chance to escape, and Pupok urges her to go, but she can't leave the sight of Parsons, his head torn open by his own mother, an experimental pincushion. He begs her to kill him, and she obliges.
But the most heartbreaking part of the entire storyline? It's not Helena setting off an alarm and losing her chance to escape. It's not Parsons literally begging for death or the horror that's hiding under his little shower cap. It's the moment when Helena shushes Parsons gently and tells him, "We have both been abandoned by our families."
That hurts. It hurts because it's so easy to see why Helena would believe that, and yet we know it's not true. We the audience know that Sarah is moving heaven and earth to find her, but Helena has no reason to think that. Up until now, Sarah has not come for her once. So why should she think this time will be different? Ugh. Feelings. So many feelings.
In a lot of ways, this episode ends with everyone roughly where they began. Sarah is at the whim of crazy people with guns, Cosima is pining over Delphine, Alison is terrifyingly competent at drug dealing, Gracie is adrift, and Helena is locked in a cage. But in another sense, this episode has given us a taste of what everyone (except for Cosima, really) is like when the pressure is on. It's showing us who these people will be and what choices they will make. Helena is choosing mercy and Sarah is choosing family. This will be an interesting reunion, I have no doubt.
Oh, and someone should really start a counter of how many laws are broken per episode on this show. I feel like it would be very educational.
|Crime should not be this adorable.|